Five Mysterious Skulls: Dare They Be Called, Human?


A guest post by s hayes


This isn't your most recent episode of Unsolved Mysteries. In fact, these are five authentic skulls dug up and discovered from nearly every corner of the globe. If the skulls are actually of human origin has been put up for debate by some. Either way, these anomalies will either give you a great costume idea, inspiration to go on your own Indian Jones-style adventure, or just provide a reason for some really freaky dreams.


The Horned Skull



During an archaeological dig in Sayre, Bradford County, Pennsylvania in the 1880s, a number of human skulls were unearthed. These skeletons were anatomically correct, except for the anomaly of their projections, two inches above the eyebrow, and the fact that their average height in life would have been around seven feet tall. The bones were sent to the American Investigating Museum in Philadelphia, where they were stolen - never to be seen again.


Above: Instances today of genetic throwbacks to this race.

Starchild Skull



This peculiar skull was found in a mine tunnel, 100 miles Southwest of Chihuahua. Dental analysis have ascertained that the skull is that of a five year old child. However, the interior of the skull is 20cm larger than the average adult cranial cavity. The optic nerve is situated at the bottom of the eye socket, rather than the back.

The back of the skull is flattened, but not by artificial means. Carbon dating places the skull's age at approximately 1100 BCE. DNA testing has determined that the child had a human mother, but useful lengths of nuclear DNA for further testing could not be recovered. In 2004, Royal Holloway College of the University of London revealed “fibers” in the bone of the skull and a reddish residue, neither of which are known or recorded to exist prior to the discovery.

Peruvian Skulls



These odd elongated skulls originate from Peru. They were excavated in Nazca - close to the mysterious Nazca lines. As with the horned skull race, skeletal remains reveal that this race was extremely tall - up to nine feet in height. Similar skulls have been excavated in Mexico and are on display in museums. Some of the elongated skulls showed evidence of ancient brain surgery, suggesting an advanced knowledge and understanding of biology. Suggestions that the skulls were altered by a process of binding the skull in infancy, when the cranial bones are soft, encouraging them to grow into an un-natural shape, have been rejected. Nevertheless, skull binding cannot increase the internal capacity of the cranial void - and evidence points to the fact that in the case of the Peruvian and Mexican skulls, the cranial void is significantly larger than in a normal skull. It is intriguing also to consider the Egyptian Pharaoh Akhenaten and his family - who were depicted in hieroglyphics as having a large misshapen skull.



Above: Depictions of Akhenaten and his Daughter

Robert Connolly Discoveries


Robert Connolly was researching the paper “In Search of Ancient Wisdom" when he came across these intriguing skulls. During his research, Robert photographed them:




This skull is in all respects similar to modern skulls, with only several factors out of proportion. The size of eye sockets are about 15% larger than normal. The cranial cavity is almost double that of a normal human - the estimated cranial capacity ranges between minimum of 2600 cm3 to 3200 cm3.




Above: The lower jaw bone of this skull is missing.

What is noticeable about the remnants of the facial portion is that the characteristics are entirely within the range of a normal human skull. The cranial cavity, on the other hand, is extremely large - with the cavity exceeding 3000cm3 Also, the two protruding "lobes" are highly anomalous.


Bulgarian Skull



This skull cannot visibly classified as human - but is interesting. It was discovered in 2001, the Rodopi Mountains, Bulgaria. Very little else is known at this point in time.

Image sources: 1, 2, 3, 4


Röntgen Etchings: Treated X-Ray photos by Artist Ben Kruisdijk

Röntgen Etchings: Treated X-Ray photos by Artist Ben Kruisdijk

If you are a regular reader on cultcase you must remember X-Ray Photography as Art: Hidden Faces of The Inner Space where we presented a few prominent works from Nick Veasey, Diane Covert, Bert Myers and Steven N. Meyers. Recently we have been honored and privileged to meet another great X-Ray photographer - Dutch artist Ben Kruisdijk. It was around 2004 when Kruisdijk was a student at the academy when he took his first experiments with Röntgen photos and by now his photos can be described as "drawing x-ray photography hybrids" or as he calls them "Röntgen Etchings".



The person who owns the body of his works is always of little or no importance as Kruisdijk is a formalist, interested in the language of the photo more than in the subject. The images are very expressive, sometimes horrible, and include tumors, broken bones and the like, but also fantastic animal hand drawings and always shown in the most aesthetic form.



As a draughtsman, Kruisdijk likes to treat the photos with a technique he describes as "etching" aiming to relocate concepts and images from the medical world to the art world. "The Röntgen etchings are strongly related to my paper drawings", explains Kruisdijk. "Conceptually they are the same and only differ in their material."



According to Kruisdijk's artist statement, his unique visual language allows him "to create an abstract framework" in which he can "think and dream without obstacles". A space in which "all possible steps can be made without having to obey the laws of physics."



For more art from Ben Kruisdijk go to http://www.benkruisdijk.com

The Outsider Sculptors of Autodidact Johan Jonsson



He is an autodidact who writes, sculpts and uses multimedia, dividing his time between Luleå, Sweden where he was born in 1966 and a small village outside Skellefteå, where his sculpturing studio is located. Johan Jonsson's mixed media sculptures are fascinating reuse examples combining raw industrial materials such as metal, wood and fabrics, tar and leather with welding filler, silicone, rust with items and materials used in agriculture and forestry. Doing Horse (17x46x40 cm seen above and below) is made of nails, leather, weld, inside of a doll, part of sculpture and horses harness.





According to Jonsson "Junk art" may be an accurate term to describe his works when it comes to "choice of material". In "raw artistry" terms, however, "outsider art" or "art brut" are claimed to be "better suited".





Jonsson's next upcoming show will take place at Lilla Galleriet, Boden, Sweden this year. Previous exhibitions include Lindbergs Konst och Ram, Luleå (2005) Lilla Galleriet, Boden, Lindbergs Konst och Ram, Luleå (2006) Lilla Galleriet, Boden (2007) and Länsstyrelsen, Luleå, Galleri Ramfjord, Oslo, Norway (2008). Above: The Game, 23x51x32 cm: sheet-iron, hair, sculpture part, chalk, tar, doll part, speedometer wire, welding wire.





Above: Delivery, 14x30x30 cm: brake-drum, weld, doll parts, part of sculpture, pink paint, iron wire. Below: Gathering, 17x27x27 cm: sheet-iron, brown, welded metal, brackets, weld art, welding rod.





More outsider art from Johan Jonsson byjohan.se
See also: The Art of Junk: 7 Creative Approaches to Trash Reuse